Paris, France. September 21, 2009.

Once on deck in the cold air, he saw through the faint light a row of houses beyond the low wharf buildings, grey mellow houses of four storeys with tiled roofs and intricate ironwork balconies, with balconies in which the ironwork had been carefully twisted by artisans long ago dead into gracefully modulated curves and spirals.

Some in uniform, some not, the ambulance men marched to the station, through the grey streets of Bordeaux. Once a woman opened a window and crying, “Vive l’Amérique,” threw out a bunch of roses and daisies. As they were rounding a corner, a man with a frockcoat on ran up and put his own hat on the head of one of the Americans who had none. In front of the station, waiting for the train, they sat at the little tables of cafés, lolling comfortably in the early morning sunlight, and drank beer and cognac.

Small railway carriages into which they were crowded so that their knees were pressed tight together–and outside, slipping by, blue-green fields, and poplars stalking out of the morning mist, and long drifts of poppies. Scarlet poppies, and cornflowers, and white daisies, and the red-tiled roofs and white walls of cottages, all against a background of glaucous green fields and hedges. Tours, Poitiers, Orleans. In the names of the stations rose old wars, until the floods of scarlet poppies seemed the blood of fighting men slaughtered through all time. At last, in the gloaming, Paris, and, in crossing a bridge over the Seine, a glimpse of the two linked towers of Notre-Dame, rosy grey in the grey mist up the river.

Excerpted from One Man’s Initiation – 1917, by John Dos Passos. Distributed under a general license by Project Gutenberg.